Hexadecimal is a true answer to "what did that say" and not a useful one. This is the work of turning the rest of what a receiver hears into something a person can read, and most of it is pictures. PICTURES Three of the things on the air are images rather than sounds, and all three arrive as the audio a scan already records: SSTV 14.230 and 144.5 MHz Martin M1/M2, Scottie S1/S2/DX, Robot 36/72 APT 137-138 MHz the NOAA weather satellites HF fax 2-20 MHz, sideband the marine weather charts Each is written from its published specification, and the generators used to test them are written from the same specification without reference to the decoders -- so a picture that comes back matching the one that went in is evidence about the format. Every SSTV mode reproduces its published line time exactly, which is worth failing a test over: a line a few milliseconds long walks the picture off the screen inside ten lines. Against synthetic transmissions at 30 dB SNR, SSTV is 96-98% of pixels exact, APT correlates at 0.97 and fax at 0.998; all three still read at 6-12 dB. None of the three is guessed at, and that is what makes it safe to try them on every recording. SSTV needs its VIS header, APT needs both line syncs at the right distance from each other, fax needs the phasing signal. No false pictures in 295 attempts over noise, tones, speech and swept whistles. Two things had to be got right beyond the arithmetic. A band-pass does not switch between two tones, it slides between them, so every edge is measured at the midpoint of the slide rather than at the first sample past a threshold -- the earlier version was reading the coarse search stride back as the edge and shifting Martin M1 sideways by a whole colour bar. And a picture now keeps its capture whatever the content check made of it: a satellite is a steady tone with a wobble on it and SSTV is a whistle, so both were being discarded as "no signal content" having already been recognised. PNG is written here rather than pulled in from Pillow. A scanner that cannot start because an imaging library is missing is worse than one that cannot draw. saunterbrowse marks a picture in the list, gives its path in full -- wrapped rather than cut off, because half a path opens nothing -- and moves or deletes the PNGs with the recording. o prints the picture's path, not the audio's. GRIB is not a modulation and is not pretended to be one. It is the format weather models are published in and it travels by satellite link and by e-mail; where a decoded byte stream begins with its magic number it is named, and that is all. AIRCRAFT `bandsaunter adsb` parks the receiver on 1090 MHz and reads Mode S extended squitter: address, callsign, altitude, position, speed. A command of its own because a megabit a second will not go through a channel twelve and a half kilohertz wide. Every frame carries a 24-bit checksum so there is no threshold anywhere in it -- with one trap, which is that a frame of all zeros satisfies that checksum and silence is exactly that. Positions round trip exactly through compact position reporting, and a pair straddling a longitude-zone boundary is refused rather than resolved against two grids. METERS AND SENSORS Itron ERT utility meters on 900 MHz and AcuRite weather sensors on 433 MHz are named rather than reported as hex, and neither is believed without its own checksum -- BCH(255,239) for the meter, a checksum and four parity bits for the sensor. Both are implemented from published descriptions and checked against frames built from the same descriptions, which proves the framing and the arithmetic and is not the same as having held a meter. HEX INTO WORDS Everything else that decodes to bits now gets its fields named where the shape is standard, its text read out where there is text, and its bytes laid out in groups with the printable characters beside them. The text search is where the care went, because printability is not evidence. Forty framings of each packet, and seven-bit values printable three in four, meant a bar set on printability called 64% of random payloads text. Real text is nearly all one case where random letters are half and half, two fifths vowels where random is a fifth, and mostly alphanumeric where random draws punctuation one time in four. Together: under 0.5%, measured in the suite. CALLSIGNS The licensed address is recorded in full -- the street, not merely the town -- and goes into the KML with everything else. US amateur records are public by law and carry it; holding it and not saying so is worse than either showing it or not asking, and --no-lookup asks for none of it. Also here: Morse is decoded again from the whole recording where the capture was made in cw mode. The first pass works from the classifier's buffer, which holds a few seconds -- enough to say "this is Morse", not enough to catch a callsign whole between two word gaps, so a beacon repeating every eight seconds through an eight-second window was never identified. And classify._psk_order took the logarithm of zero on a silent block. 1318 tests, up from 1161. Co-Authored-By: Claude Opus 5 <noreply@anthropic.com> Claude-Session: https://claude.ai/code/session_016PsWPTweCT6pwxKngvVxcg
77 KiB
bandsaunter
A signal scanner, recorder and identifier for RTL-SDR receivers.
Give it any number of frequency ranges — typed in by hand or picked from a built-in US band plan — and it sweeps them, stops on anything above the noise floor, records it, and works out what kind of signal it was. CW/Morse is decoded to text.
Two programs: bandsaunter scans, and
saunterbrowse reads back what it collected —
transcripts, identifications and playback, in one screen.
╭──────────────────────────────── receiver ────────────────────────────────╮
│ Rafael Micro R820T/R820T2 2.048 MS/s gain auto +0 ppm │
╰──────────────────────────────────────────────────────────────────────────╯
╭───────────────────────────────── sweep ──────────────────────────────────╮
│ ━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━ step 4/6 146 MHz - 146.666667 MHz │
│ ▆ █ ▄▄▄ peak -18.0 dBFS │
│ recording cycle 2 hits 3 dropped 0 detections 7 up 0:04 │
╰──────────────────────────────────────────────────────────────────────────╯
╭──────────────────────────────────────────────────────────────────────────╮
│ REC 146.52 MHz [nfm] ███████████░░░░░░░░░ 11.4/30s SIGNAL SNR 27 dB │
╰──────────────────────────────────────────────────────────────────────────╯
╭───────────────────────────── recorded signals ───────────────────────────╮
│ 19:38:43 460.025 MHz 8.2s 27.0 P25 Phase 1 C4FM digital voice │
│ 19:38:43 144.1 MHz 8.2s 27.0 CW / Morse at 18 WPM "VVV DE…" │
│ 19:38:43 146.52 MHz 8.2s 27.0 Narrowband FM voice (CTCSS 100) │
╰──────────────────────────────────────────────────────────────────────────╯
Install
From a package (Debian, Ubuntu, Mint)
./packaging/build-deb.sh # writes dist/bandsaunter_<version>_all.deb
sudo apt install ./dist/bandsaunter_*.deb
apt pulls in every dependency itself, and the package blacklists the DVB-T driver that would otherwise claim the receiver. Nothing else to do.
Speech transcription is the one part that cannot come from Debian, because no speech recogniser is packaged there. Installed this way, everything else works and the install prints a short note saying how to add one. To have that arrive by apt as well, build the repository below instead.
From your own apt repository
For installing on several machines, or on a fresh one, without hunting for the
recogniser afterwards. build-repo.sh builds three packages and an apt index:
| Package | Arch | Contents |
|---|---|---|
bandsaunter |
all | the application |
bandsaunter-transcribe |
amd64 | faster-whisper and its dependencies, in /usr/lib/bandsaunter/vendor |
bandsaunter-model-base-en |
all | the base.en model, in /usr/share/bandsaunter/models |
./packaging/build-repo.sh # writes dist/repo/
rsync -a dist/repo/ server:/var/www/html/bandsaunter/
Serve that directory over HTTP from anywhere on the LAN, then on each machine:
echo 'deb [trusted=yes] http://server/bandsaunter ./' \
| sudo tee /etc/apt/sources.list.d/bandsaunter.list
sudo apt update
sudo apt install bandsaunter
That single command brings the recogniser and its model too — they are
Recommends, which apt installs by default. --no-install-recommends gets
just the application. Nothing reaches the network afterwards: the model is on
disk, so the first transcription works offline.
[trusted=yes] skips signing, which is the sensible trade on a private LAN.
To sign it instead, run gpg --clearsign over dist/repo/Release to produce
InRelease and drop the [trusted=yes].
The vendored packages are appended to sys.path, never prepended, so anything
apt provides — numpy, PyYAML — still wins; the vendor directory only fills the
gap Debian leaves. BANDSAUNTER_VENDOR_DIR and BANDSAUNTER_MODEL_DIR
override both locations.
Rebuilding for a new version is the same command; apt upgrade picks it up.
From source
sudo apt install rtl-sdr librtlsdr0 espeak-ng # Debian, Ubuntu, Mint
pip install -e .
Dependencies
Everything required is packaged in Debian, Fedora and Arch, so nothing has to be built.
| Package | Debian/Ubuntu | Fedora | Arch | Needed for | |
|---|---|---|---|---|---|
| required | librtlsdr | librtlsdr0 |
rtl-sdr |
rtl-sdr |
talking to the receiver at all |
| required | NumPy | python3-numpy |
python3-numpy |
python-numpy |
all signal processing |
| required | SciPy | python3-scipy |
python3-scipy |
python-scipy |
filters, resampling, spectra |
| required | Rich | python3-rich |
python3-rich |
python-rich |
menus and the live display |
| required | PyYAML | python3-yaml |
python3-pyyaml |
python-yaml |
settings file and profiles |
| recommended | eSpeak NG | espeak-ng |
espeak-ng |
espeak-ng |
clearer spoken timestamps |
| optional | rtl-sdr tools | rtl-sdr |
rtl-sdr |
rtl-sdr |
rtl_test and friends for diagnosis |
| optional | a speech recogniser | pip only | pip only | AUR | transcribing speech to text |
| optional | Matplotlib | python3-matplotlib |
python3-matplotlib |
python-matplotlib |
nothing yet; reserved for plots |
Two notes on the optional ones:
eSpeak NG is a recommendation, not a requirement. Without it the spoken timestamps come from a built-in formant synthesiser, so that feature works on a machine with nothing else installed. With it they are clearer and render about three times faster.
No speech recogniser is packaged for Debian. faster-whisper, vosk and
the pocketsphinx Python bindings are all absent from the archive, so
transcription can only be installed with pip:
pip install faster-whisper # best on radio audio, ~120 MB
pip install vosk # ~10 MB plus a 40 MB model, weaker on noise
bandsaunter transcribe --engines
That is why the plain .deb cannot depend on one. Debian Policy forbids
anything in the archive from requiring software outside it, and a postinst
that reaches out to PyPI would break offline and reproducible installs — so a
package in the archive simply cannot pull these in. Transcription is therefore
off by default and reports plainly when no recogniser is present, rather than
the install failing or the feature appearing broken.
A repository of your own is not bound by that rule, which is what
build-repo.sh exploits: it packages
faster-whisper and its model itself, into a private directory rather than into
dist-packages, and lets apt install them alongside. Nothing is downloaded at
install time, and nothing collides with an apt-managed module.
Mixing the two is nonetheless fine here. Modern Debian marks the system Python as externally managed (PEP 668), so a pip install lands in your user site directory:
pip install --user faster-whisper # ~/.local/lib/python3.x/site-packages
which is on sys.path for the system interpreter. A bandsaunter installed
from the .deb into /usr/lib/python3/dist-packages picks it up with no
further configuration — verified, not assumed. A virtual environment works
too, as long as bandsaunter runs inside it.
Getting these into Debian proper would be a different matter: it would mean packaging ctranslate2, tokenizers, onnxruntime and their dependencies, several of which are large C++ or Rust projects, each to archive standards. That is why none of them are there, and why the local repository vendors the wheels instead of trying to do it properly.
Other distributions
sudo dnf install rtl-sdr python3-numpy python3-scipy python3-rich \
python3-pyyaml espeak-ng # Fedora
sudo pacman -S rtl-sdr python-numpy python-scipy python-rich \
python-yaml espeak-ng # Arch
brew install librtlsdr espeak-ng && pip install -e . # macOS
Letting your user reach the receiver
The DVB-T television driver claims RTL dongles on sight and has to be kept
away from them. The .deb does this for you; from source:
echo 'blacklist dvb_usb_rtl28xxu' | sudo tee /etc/modprobe.d/blacklist-rtlsdr.conf
sudo rmmod dvb_usb_rtl28xxu # or just unplug and replug the receiver
If the device is found but cannot be opened, your user needs permission for
it. Most distributions ship a udev rule with rtl-sdr; failing that:
echo 'SUBSYSTEM=="usb", ATTRS{idVendor}=="0bda", ATTRS{idProduct}=="2838", MODE="0666"' \
| sudo tee /etc/udev/rules.d/20-rtlsdr.rules
sudo udevadm control --reload-rules && sudo udevadm trigger
Check it worked
bandsaunter devices --test # opens the receiver and captures a test block
bandsaunter scan -b 2m --simulate # exercises everything without hardware
Versioning
Releases are named for the day they were made and a revision within that day:
2026-08-21_01 first build on the 21st
2026-08-21_02 second build the same day
2026-09-01_01
The revision is padded to two digits so that versions sort correctly as text — without it, revision 10 would sort before revision 2.
Packaging tools cannot use that form directly, so it is converted at the edge rather than kept as a second version string that could drift:
| Where | Form | Why |
|---|---|---|
the program, --version |
2026-08-21_01 |
what you asked for |
pip, pyproject.toml |
2026.8.21.1 |
PEP 440 forbids dashes and underscores in a release |
dpkg, the .deb |
2026.08.21.01-1 |
Debian versions may not contain underscores |
bandsaunter/__init__.py holds the date and revision; the other two forms are
derived from it, and the test suite checks that all three describe the same
release and that both pip and dpkg --compare-versions order them correctly.
Quick start
bandsaunter # the menus: set up and scan
bandsaunter scan -b 2m -b marine-vhf # band-plan presets
bandsaunter scan -r 144M-148M -r 420M-450M # your own ranges
bandsaunter scan -b 2m --simulate # try it without hardware
Two ways to drive it
Everything is available both ways. Run bandsaunter with no arguments for the
menus, or pass flags for scripting — the two are generated from the same
table of settings, so neither can offer something the other cannot.
1 Frequency ranges 3 configured
2 Band plan 107 US presets
3 Settings record no limit, hang 6s, squelch +12 dB, keep voice, cw
4 Saved settings and profiles
h Help
s Start scanning
q Quit
Settings are grouped, show their current value against the built-in default, and carry their own help:
# setting value what it does
1 Record for * no limit longest one signal may hold the receiver
2 Wait for quiet * 6 s quiet time before the sweep resumes
3 Absolute limit 900 s ceiling on one capture, even when 'Record for' is 0
* differs from the built-in default
Number to change it, ?N for help on one, d to reset the group, blank to go back.
?2 explains a setting in full, including the command-line flag that does the
same thing. Typing a search term instead of a number finds settings by any
word in their name or description — voice score finds the speech threshold.
Values may be typed with their units: 5 s, 2.048 MHz, 12 dB, 48k, or
no limit for the settings that accept 0.
Settings that persist
Settings are saved to ~/.config/bandsaunter/config.yaml and picked up by every
later run. Save them from the menus (4 → s) or from the command line:
bandsaunter config # open the settings menu
bandsaunter config hang_seconds=6 record_seconds=0 # set and save directly
bandsaunter config --show # every setting, with defaults
bandsaunter config --describe hang_seconds # explain one in full
bandsaunter config --path # where the file lives
bandsaunter config --reset # back to defaults
Three layers apply in order, each overriding the last:
- the saved settings file
- a named profile, if
--profileis given - any flags on the command line
So a saved squelch of 12 dB stays in force while --hang 1.5 overrides just
the hang for one run. --no-config ignores the file entirely; --save stores
the resulting settings as the new default.
Named profiles live beside it in the same directory:
bandsaunter scan -b 2m -b 70cm --record 0 --hang 6 --save-profile local
bandsaunter scan -p local
bandsaunter profiles
Everything that can be given as a flag can be saved, and everything that can be saved can be given as a flag — both front ends are generated from one table, so they cannot drift apart. A profile written by an older version still loads: keys it does not have take their defaults, and keys that no longer exist are reported and ignored.
Every setting is explained in plain language — what it is, and when you would
change it — in three places: bandsaunter config --describe <name>, ?N in the
settings menu, and man bandsaunter.
Entering frequencies
By hand — repeat -r as many times as you like; there is no limit on the
number of start/end pairs.
bandsaunter scan -r 144M-148M -r 462.5M-467.8M -r 929M-932M
A range is start-end, with optional /step and @mode:
| Form | Meaning |
|---|---|
144M-148M |
explicit start and end |
144-148M |
the unit carries over to the left end |
146.52M |
a single frequency |
144M-148M/25k |
with a channel step |
144M-148M/25k@nfm |
and a forced demodulator |
Units may be written 144M, 144 MHz, 144000k, or plain Hz. A bare number
below 10000 is read as MHz, so -r 162.4-162.55 does what you expect.
From the US band plan — 107 presets across 18 categories:
bandsaunter bands --categories # list categories
bandsaunter bands --category Aviation # everything in one category
bandsaunter bands pager # search
bandsaunter scan -b gmrs -b railroad -b noaa-weather
Each preset carries its own channel spacing, demodulator and bandwidth, so
-b marine-vhf scans 25 kHz channels in NFM while -b fm-broadcast uses
200 kHz WFM, without being told.
Each amateur band also has a complete entry that covers the whole band and picks the demodulator per segment, because a band is not one mode:
bandsaunter scan -b 2m-complete
scans 144-148 MHz as CW below 144.1, SSB to 144.3 and FM above it, so a CW
beacon at the bottom is decoded to text while a repeater at the top is
demodulated as FM — in one sweep. There is one for every band from 160 m to
33 cm: 160m-complete, 80m-complete, ... 70cm-complete, 33cm-complete.
Where an amateur band overlaps another service the amateur reading wins inside
a complete-band sweep — 433 MHz is treated as 70 cm rather than as the ISM
band it shares — while scanning -r 433.9M on its own still treats it as ISM.
A few presets stand for a set of others, so scattered segments can be picked in one go:
bandsaunter scan -b all-cw --record 0 --hang 6
all-cw covers every CW allocation in the plan — 160, 80, 40, 30, 20, 17, 15,
12, 10, 6 and 2 metres — as eleven separate ranges rather than one span from
1.8 to 144 MHz. That is 1.25 MHz of spectrum in total, so a full pass takes
under a second and CW gets decoded to text as it turns up. Direct sampling
switches itself on for the HF segments and off again from 12 m upward; the HF
part needs an HF antenna to be worth anything.
The menus do both: browse the band plan by category, or type in start/end pairs one after another. Ranges can be listed, removed, toggled on and off, and have their demodulator changed from the ranges menu.
The two dwell settings
These are the settings that decide how the scanner behaves when it finds something:
| Setting | Flag | What it does |
|---|---|---|
| Record for X seconds before continuing | --record 30 |
The longest a single signal may hold the receiver. 0 means stay as long as it keeps transmitting. |
| Wait for X seconds of no signal before continuing | --hang 3 |
How long the channel must stay quiet before the sweep resumes. Gaps shorter than this are recorded straight through. |
bandsaunter scan -b 2m --record 30 --hang 3
Whichever comes first wins, and that is worth being clear about: --record
overrides --hang. A transmission still in progress at the record limit is
cut off there, however long the hang time is. If a recording keeps ending at
exactly 30 seconds, that is the default record limit doing it, not the hang —
set --record 0. The scan reports it when this happens.
Both are measured in samples, not wall-clock time, so a 30 second setting produces a 30.0 second recording.
Supporting settings:
--min-record 0.5— discard anything shorter, so brief noise spikes leave nothing behind on disk.--revisit 8— ignore a frequency for this long after recording it, so a busy repeater does not monopolise the sweep.--max-record 900— absolute ceiling on one capture, applied even when--recordis 0.--threshold 8— squelch, in dB above the measured noise floor.
Capturing both sides of a conversation
--hang is what holds a recording open across the natural pauses in two-way
traffic. Set it longer than the gap between overs and the whole exchange lands
in one file:
bandsaunter scan -b 2m --record 0 --hang 6
--record 0 is the important half. Without it the per-signal cap cuts the
exchange off mid-sentence no matter what the hang time is — the default 30
seconds is a common surprise. --max-record (default 900 s) still bounds an
unlimited capture so nothing runs away.
To make it the permanent default:
bandsaunter config record_seconds=0 hang_seconds=6
"Quiet" means no real signal, not merely a closed squelch. Silence, static
and interference all count towards the timer, so a burst of noise during a
pause does not reset it and park the receiver on a finished conversation.
Recognising that a signal carries nothing takes a couple of seconds of
evidence, so expect the tail to run a little past --hang in that case.
Once a capture has produced real content it is never abandoned as noise, since a quiet spell between overs would otherwise throw the conversation away.
Only real signals get recorded
A power threshold cannot tell a transmission from a hump of interference, so every capture is checked for content before it is kept. Recording happens only for:
| Category | What it means |
|---|---|
voice |
speech structure in the demodulated audio: a pitch track in the 70-400 Hz range that drifts the way intonation does, pauses between phrases, syllable-rate envelope modulation, and formants that move |
cw |
a keyed carrier whose timing resolves as Morse |
digital |
an identified keying scheme: discrete FSK levels, an M-PSK phase line, or on-off keying -- corroborated by a symbol rate |
Two more categories exist but are not accepted by default: carrier
(unmodulated, real but empty) and trunk (a trunking control
channel).
Everything else -- static, hum, switch-mode power supply harmonics, clock spurs, bare carriers, trunking control channels -- is discarded, and the files it wrote are deleted.
The check runs while the capture is still going, so interference is dropped after a second or two instead of holding the receiver for the whole record time.
bandsaunter scan -b 2m # voice, CW and digital (default)
bandsaunter scan -b 2m --accept voice # voice only
bandsaunter scan -b ism-433 --accept digital # data bursts only
bandsaunter scan -b 2m --keep-carriers # also keep unmodulated carriers
bandsaunter scan -b 2m --keep-everything # no content check at all
Tuning knobs: --min-voice-score (0-1, default 0.45) sets how speech-like
audio must be; --min-signal-score sets the confidence needed to keep
anything; --verify-max caps how long a contentless capture is given to prove
itself.
What makes this hold up against interference
Static is good at imitating most of the things that look like structure, so each test is built so that noise cannot pass it:
- A pitch track that moves gates the voice score, rather than contributing a share of it. Dynamics, syllable-rate modulation and energy in the voice band are all things hiss does too; weighted alongside voicing they were enough to carry noise over the line on their own. Speech is the only thing here that produces a pitch period that drifts, so nothing is called voice without one. A steady tone or mains hum has a perfectly stable "pitch" and is rejected for exactly that reason. Measuring drift needs several voiced frames, so the requirement eases for a short over that cannot supply them; the steady-tone guard still applies.
- A symbol rate has to hold still across the capture. The estimator always returns its best peak, so on noise it reports one rate for the first half of a capture and a different one for the second. Real data keeps one.
- Keying has to land on a grid. On/off contrast alone is not evidence: a signal fading across the squelch produces plenty of it, with run lengths that fit no symbol period at all.
- A phase line has to be created by the exponentiation. An unmodulated carrier -- including the gaps between phrases on an FM channel -- already has a line at every power, and would otherwise look like textbook PSK.
- The demodulator is chosen from the signal, not from the band plan, by probing briefly before recording. An AM signal inside a band listed as FM would otherwise be recorded through the wrong detector, giving audio that is useless to listen to and impossible to judge. Three ratios settle it — how much the envelope varies, how far the tone swings, and how much power sits in a carrier — because those hold steady over a fraction of a second whatever is being said. Running the full classifier on so short a probe was tried and is not reliable: speech makes any modulation look bursty over half a second, and AM came back as on-off keying while FM came back as AM. The probe is played into the recording rather than discarded, so a short over does not lose its opening.
- Content is judged only on the audio that was actually recorded, and only on the stretches the squelch called signal. Demodulating two ways and keeping whichever scored higher is cherry-picking, and on noise one of the two always flatters it.
The gate needs roughly two seconds of audio to judge speech reliably, so pair
it with --record 5 or more rather than very short capture limits.
Keeping up with the radio
An RTL-SDR only delivers samples while the host is actively reading. Anything that arrives while the program is busy demodulating is discarded by the driver, and a recording then holds less than really went by -- which plays back too fast.
Two things keep that from happening:
- Captures stream asynchronously. A ring of USB transfers stays queued in a background thread, so the dongle is never waiting for the host. Sweeping still uses plain reads, because each dwell is an independent snapshot and a gap between them costs nothing.
- The signal path is fast enough to keep up. Decimation computes only the samples that survive, rather than filtering at the input rate and throwing away seven of every eight outputs; the quarter-rate local oscillator is the four-step cycle 1, -j, -1, +j and needs no trigonometry; and pitch tracking runs through the FFT instead of a direct autocorrelation per frame. Together those took the capture loop from 65% of the real-time budget to under 10%.
If the host does fall behind anyway, the scan reports how many samples were lost rather than silently producing a fast recording.
Why the threshold is what it is
The sweep uses peak-hold, which keeps the largest value each FFT bin reached during the dwell. That finds bursty traffic that averaging would bury -- but it also means noise alone rides several dB above the measured floor. On this hardware, empty spectrum reaches 5-9 dB above a percentile floor with nothing transmitting.
So --threshold is a margin over noise, not over the floor: the offset that
noise alone clears is computed from the detector (segment count and bin count)
and added automatically. A threshold of 8 means 8 dB of real headroom. It is
deliberately not measured from the spectrum -- a spread estimated from the
data reads five times higher across the packed broadcast FM band than on empty
spectrum, which would suppress exactly the stations you are looking for.
Signal identification
Every recording is classified from its own IQ. The classifier measures occupied bandwidth, envelope statistics, discriminator levels, phase behaviour, spectral flatness and symbol rate, then combines those with the frequency to name the signal:
| Family | Recognised as |
|---|---|
| Analogue voice | Narrowband FM (with CTCSS tone or DCS), wideband FM (stereo pilot detected), AM, SSB (USB/LSB) |
| CW | Keyed carrier, decoded to text with the speed in WPM |
| Digital voice | P25 C4FM, DMR (TDMA burst structure), NXDN, D-STAR |
| Data | POCSAG and FLEX paging, ACARS, AIS, APRS/AFSK1200, 2-FSK and 4-FSK, BPSK/QPSK/8-PSK |
| Other | Unmodulated carriers, OOK/ISM devices, ADS-B and UAT, DME/TACAN pulses, wideband OFDM/cellular |
Each result carries a confidence and the reasoning behind it:
146.520038 MHz 3.0s SNR 27.6 dB Narrowband FM voice (CTCSS 100.0 Hz) (88%)
4.9 kHz wide, 0.9 kHz rms deviation
Low SNR reduces confidence rather than producing a confident wrong answer.
Which band it is in
Next to every frequency, on the live display and in the line-per-hit output, is the name of the band it falls in:
time frequency band dur SNR identified as
21:14:07 146.52 MHz 2 m FM Simplex 5.0s 20.0 Narrowband FM voice
21:14:31 462.5625 MHz GMRS / FRS 4.2s 18.3 Narrowband FM voice
21:15:02 421 MHz 70 cm Amateur 12.7s 22.9 Narrowband FM voice
21:15:40 162.55 MHz NOAA Weather Radio 30.0s 31.4 Narrowband FM voice
421 MHz is the 70 cm amateur band, and being told so is quicker than
remembering where the band edges are. The names come from the same band plan
the presets do, so there is one table to keep right rather than two.
Several allocations usually cover any given frequency, and the narrowest wins
because it says the most: 146.52 MHz comes back as 2 m FM Simplex rather
than 2 m Amateur, and 14.050 MHz as 20 m CW / Digital. Two exceptions,
both because the obvious answer would be the wrong one:
- ISM yields to the allocation it shares. 433.92 and 915 MHz are ISM bands, but they are also 70 cm and 33 cm. A signal there is far more likely to be worth naming as the amateur band, so it is — unless nothing else covers it, in which case ISM is still the right answer.
- Shortwave broadcast yields to amateur, where they overlap. 3.9–4.0 and 7.2–7.3 MHz are broadcast in ITU Regions 1 and 3, and amateur in Region 2, which is what this plan describes. 6 MHz really is 49 m shortwave, and there is no amateur band anywhere near it, so that one is left alone.
The band name is written into each recording's sidecar too, so it travels with
the capture, and saunterbrowse will search on it — typing /70 cm finds
everything in the band without having to remember 420–450 MHz.
Reading data signals
A great deal of what a scanner finds is not speech. Doorbells, tyre-pressure sensors, weather stations, remote controls, paging, packet radio — all of it carries something a receiver can read, and bandsaunter reads it:
21:14:07 433.92 MHz 70 cm Amateur 3.2s SNR 45.8 dB EV1527 / PT2262-style remote (93%)
EV1527 / PT2262-style remote 24 bits 516 baud x12 B2 35 4E
21:14:31 929.6125 MHz UHF / 900 MHz Paging 4.5s SNR 49.5 dB POCSAG 1200 (97%)
[1234568D] ENGINE 4 RESPOND
[0098765A] CALL EXT 4412
21:15:02 144.39 MHz 2 m Amateur 1.8s SNR 31.2 dB AX.25 / APRS (93%)
W1AW>APRS>WIDE1-1: !4142.45N/07243.63W-Newington CT
Whatever the modulation, a data signal is the same shape once it has been sliced: a train of alternating runs whose lengths carry the information. On-off keying gives that directly — the carrier is up or it is down — and two-level FSK gives exactly the same thing from the discriminator, one tone or the other. So both are reduced to runs, and everything after that is shared.
What the runs mean is the line code, and it is worked out from the runs alone rather than configured, because each code makes a different prediction about which of the two histograms is the bimodal one:
| Code | Pulses | Gaps | Who uses it |
|---|---|---|---|
| PWM | two lengths | constant, or the period is | EV1527, PT2262 and nearly every 433 MHz remote |
| PPM | constant | two lengths | the other half of the same market |
| Manchester | T and 2T only | T and 2T only | anything whose receiver recovers its own clock |
| NRZ | any whole number of symbols | same | what a framed protocol sits on |
Four-level FSK — C4FM, as P25, DMR and NXDN send it — is recognised as such and read as symbols. Slicing it down the middle also produces bits, and they mean nothing; a capture that had been coming back as "10783 bits of NRZ at 5335 baud" now says 4-level FSK, 5334 baud, no frame sync recognised, which is both true and useful. Where a frame sync word does appear, the system is named outright.
Protocols that can be read in full
Two carry their own framing and checksums, so a frame either passes or it does not — and one that passes is not a guess:
POCSAG paging, at 512, 1200 or 2400 baud. Nothing in the signal announces which rate it is, so all three are tried and the one whose 32-bit sync word turns up is the right one. Every codeword is checked — and a single bit error corrected — against the BCH code the standard puts there for exactly that. The address, function letter and message text all come out.
AX.25 / APRS on 1200 baud AFSK. The frame check has to come out right before a frame is reported at all. The sender's callsign, the digipeater path and the payload are shown — and the callsign goes onto the map with everyone else.
bandsaunter analyze capture.cf32 --rate 48000 # decode a file you already have
bandsaunter scan --no-decode-data # turn it off
saunterbrowse # decoded packets sit where a transcript would
Believing a decode
This is the hard half. A decoder that always returns something is worse than useless: noise sliced at a threshold produces runs, and runs produce bits. Three things guard against that.
- The runs have to fit. A decode whose runs do not quantise to the line code's own grid is thrown away.
- Most of the capture has to agree. A data signal is data all the way through. One lucky window in eight is a coincidence — and that is exactly what SSB voice produced before this check existed.
- The packet has to repeat. Much the strongest of the three. These transmitters send the same thing three to ten times over, and bits that come back identical every time did not come from noise.
A bare reading with none of that behind it — where the run lengths merely happened to land on a grid — is reported as nothing at all, rather than as a bit string with a low number beside it that somebody will read anyway. Across 27 recordings of speech, music, static, a bare carrier, Morse and PSK, the decoder returns nothing 27 times.
And a decode that does have repeats or a checksum behind it outranks the content check. A burst of keying demodulated as FM audio is a buzz, and the speech detector likes a buzz — but a frame whose own checksum came out right is not a statistic.
Trunked systems and their control channels
Police, fire and most large business radio in the US runs on trunked systems. Rather than giving each department a frequency of its own, the system owns a pool of channels and hands one out per conversation. For that to work, one frequency is given over entirely to a data stream that runs day and night telling every radio in the fleet where to go next. That frequency is the control channel.
It is the worst thing a scanner can find: loud, perfectly steady, never silent, and with nothing on it to hear — just a harsh buzz. Left to itself a scanner parks on it for the whole record limit, saves the file, and finds it again on the next sweep, for as long as it runs.
bandsaunter recognises one and moves on, usually within a second or two:
TRUNK 856.561096 MHz -- Motorola SMARTNET / SmartZone (Type I/II) control channel, 3600 baud -- skipping
In the live display the recording panel turns yellow and says TRUNK: with
the system name instead of REC, and the end-of-run summary lists every
control channel found and where it was.
What identifies one is a constant-envelope data stream that never pauses, at a symbol rate belonging to a known trunking standard:
| Symbol rate | Levels | System |
|---|---|---|
| 3600 baud | 2 | Motorola SMARTNET / SmartZone (Type I/II) |
| 9600 baud | 2 | EDACS / ProVoice |
| 1200 baud | 2 | MPT-1327 |
| 4800 baud | 4 | P25 or DMR Tier III |
| 2400 baud | 4 | NXDN / NEXEDGE |
The first two are called immediately — nothing else transmits at those rates
without pausing. The rest share their shape with an ordinary digital voice
call on the same system, so they are only judged to be a control channel once
the carrier has run unbroken for --control-seconds (20 s by default), which
is longer than a real conversation goes without taking a breath. Raise it if
digital voice is being skipped by mistake.
Sitting in a band where trunking is common raises confidence but is never required — trunking is licensed on business pairs all over the spectrum, so the shape of the signal has to be enough on its own.
bandsaunter scan -b 800-trunked # control channels named and skipped
bandsaunter scan -b 800-trunked --keep-control # record them (for a decoder)
bandsaunter scan -b 800-trunked --lockout-control # never look at them again
--lockout-control adds each one to the lock-out list as it is found; with
lock-out saving on (the default) that list is written to your settings file
and survives a restart.
CW / Morse
Keyed carriers are decoded to text. The speed is measured from the signal, so nothing has to be configured, and anything from about 8 to 40 WPM reads reliably:
144.1 MHz 12.0s SNR 50.8 dB CW / Morse at 18 WPM CW "VVV DE W1AW FN31"
The decoder runs its own CW detector over the captured IQ, so Morse is found even when the recording itself was made in FM or SSB — and it is run over every capture once it has finished, whatever the classifier called it.
Short bursts, which is most of it
Most of the Morse on the air is not a conversation. It is a repeater, a beacon or an unattended transmitter saying who it is and stopping — four to six characters, over in a second or two:
147.06 MHz 5.3s SNR 31.2 dB CW / Morse at 20 WPM CW "DE K1AA"
K1AA Newington Radio Club — Newington, CT · FN31pr
That burst is a fraction of a capture the classifier named after whatever filled the rest of it, so waiting for the label to say "CW" missed it. Short is now the normal case rather than the awkward one, and a decode of two or three characters gets in on its timing alone:
- every element within a third of a unit of one or three
- every character resolving to something in the table
- and the keyed tone at least 20 dB above the rest of its band
The last one is what separates an ident from a blip, and it is not
decoration. With four elements the dot length is fitted to those very
elements, so they land on the grid whatever produced them — a third of a
second of white noise decodes as a perfectly timed V. Measured over 200
noise blocks the loudest bin never rose 13 dB above the median of its band,
while keying at 3 dB SNR sits above 40, so 20 dB has room on both sides. One
keyed element is refused outright: a single pulse is an E or a T whether a
person sent it or the squelch opened on a click.
What the capture window cut off
A capture opens when the squelch does, which is in the middle of an element as
often as not. Half a character is not a smaller reading of what was sent — it
is a different one. A K missing its first dash is an A; a W missing its
first dot is an M.
So the character at a sliced end is dropped, and so is the rest of the word it
was in, because what is left of that word can read as a whole one: K1AA
caught halfway through is K1A, which belongs to somebody else. The full
text is still shown; it is the identification that is held to the stricter
standard. Over 1805 truncated captures of four different messages, that turns
107 invented callsigns into none, while still recovering 550 correct ones.
Pictures
Three of the things a receiver can hear are images rather than sounds. All three are analogue, all three encode brightness as a frequency, and all three arrive as the audio the scanner already records — so they are looked for in every recording and written out as PNG beside it.
| Where | What it is | |
|---|---|---|
| SSTV | 14.230 MHz, 144.5 MHz | amateur slow-scan television, in colour — Martin M1/M2, Scottie S1/S2/DX, Robot 36/72 |
| APT | 137–138 MHz | the NOAA weather satellites, one continuous picture per fifteen-minute pass |
| HF fax | 2–20 MHz, single sideband | the marine weather charts, 60–240 lines a minute |
147.06 MHz 118.0s SNR 24.1 dB SSTV (Martin M1)
picture: SSTV Martin M1 320x256 → ~/bandsaunter/0014.230000MHz--2026-08-29_14_02_11-usb.png
None of the three is guessed at, which is what makes it safe to try them on every recording. SSTV announces itself with a VIS header that says which mode follows. APT carries two different sync patterns exactly 1040 words apart. Fax opens with twenty seconds of phasing — black lines with a pulse at the start of each — that nothing else on the air sends. A decoder without one of those draws static beautifully, and a directory of beautifully rendered static is worse than an empty one. Measured over noise, tones, speech and frequency-swept whistles: no false pictures in 295 attempts.
Accuracy, against transmissions built from the published specifications:
| 30 dB SNR | 12 dB | 6 dB | |
|---|---|---|---|
| SSTV (all seven modes) | 96–98% of pixels exact | 91–98% | — (header lost below 9 dB) |
| APT | 0.97 correlation | 0.94 | 0.88 |
| HF fax | 0.998 correlation | 0.99 | 0.97 |
Each mode's line timing is checked against its published line time — 446.446 ms for Martin M1, 428.220 for Scottie S1, and so on — because a line a few milliseconds long walks the picture off the bottom of the screen within ten lines, and that is a thing worth failing a test over rather than noticing in a PNG.
A picture keeps its capture whatever the content check made of it. A satellite is a steady tone with a wobble on it and an SSTV transmission is a whistle: neither is speech, neither has symbol structure, and both were being discarded as "no signal content" having already been recognised.
Pictures take minutes rather than seconds, so --record has to be long enough
or what arrives is the top of one. A partial picture is kept and labelled
partial rather than thrown away — most SSTV captures are partial, and half a
picture is still a picture.
GRIB is sometimes asked about in the same breath and is not a modulation: it is the binary format weather models are published in, and it travels by satellite data link and by e-mail rather than as something a receiver demodulates. Where a decoded byte stream begins with its magic number it is named; nothing here fetches or renders one.
Aircraft
bandsaunter adsb # listen on 1090 MHz until interrupted
bandsaunter adsb --frames # print every frame as it arrives
bandsaunter adsb --kml planes.kml # and write what was heard as a map
Every airliner overhead broadcasts its address, callsign, altitude, position and speed twice a second, unencrypted, to nobody in particular.
ICAO callsign altitude position speed frames
4CA1FA RYR1234 35000 ft 51.5000, -0.1200 308 kt 126° 47
A0B1C2 UAL99 12000 ft 40.7000, -74.0000 180 kt 274° 31
A command of its own because ADS-B does not fit through the scanner: the signalling is a megabit a second, which needs at least two megasamples a second of raw receiver output, and the scan path decimates everything to a channel 12.5 kHz wide long before a decoder sees it.
Every frame carries a 24-bit checksum, so there is no threshold and nothing to
disbelieve — a frame passes or it is dropped. The one trap is that a frame of
all zeros satisfies that checksum, and silence between transmissions is exactly
that, so silence would otherwise decode as an endless stream of aircraft
000000.
A position takes two frames. The encoding sends a fraction of a zone rather than a coordinate, so one frame alone is ambiguous by hundreds of miles; an aircraft is placed once an even and an odd frame have both arrived, about a second apart. A pair that straddles a longitude-zone boundary is refused rather than resolved against two different grids.
An aerial cut for 1090 MHz is the difference between hearing the airport and hearing the county; the whip supplied with a dongle is a quarter of the length it wants.
Meters and weather sensors
Two things on the ISM bands are worth naming rather than reporting as hex.
915.0 MHz decoded: electricity meter 12345678 reading 987654
433.92 MHz decoded: AcuRite sensor 1234 temperature 21.5 C humidity 48% channel A
Utility meters. The Itron ERT modules fitted to electricity, gas and water meters across North America broadcast their reading every thirty seconds or so on 902–928 MHz, in the clear, so a van can drive past and read a street. The message says which meter, what kind, what the register reads, and whether the tamper switches have been tripped.
AcuRite sensors. The 433.92 MHz outdoor sensors sold with every consumer weather station send temperature, humidity, battery state and a channel letter every sixteen seconds.
Neither is guessed at: a meter message carries a 16-bit BCH check and a sensor message a checksum and four parity bits, and nothing is reported that has not satisfied them. Both are implemented from their published descriptions and checked against frames built from the same descriptions — which proves the framing and the arithmetic, and is not the same as having held a meter.
Hex into words
Everything else that decodes to bits gets read rather than dumped:
EV1527 / PT2262: address 0x8B2F1 button B
text (8-bit ASCII): "STATION OPEN"
0000 53 54 41 54 49 4F 4E 20 |STATION |
0008 4F 50 45 4E 0D 0A 00 91 |OPEN....|
A decoder that stops at a bit string has done half the job, and 4A 3F 1B 22
is a true answer to "what did the doorbell say" and not a useful one. Where the
packet is a shape somebody standardised its fields are named; where there is
text in it the text is read out; and underneath either, always, the bytes in
groups with their printable characters beside them.
The text search is the part that needs care, and printability is not evidence. Every framing is tried at every bit offset in both bit orders — about forty readings of each packet — and seven-bit values are printable three times in four, so a bar set on printability alone called 64% of random payloads text. What separates a message from a coincidence is that real text is nearly all one case where random letters are half and half, is about two fifths vowels where random letters over 52 are a fifth, and is mostly letters and digits where random draws punctuation one time in four. Together with a length bar those take random payloads to under 0.5%, which is measured in the test suite and fails there if it stops being true.
Single sideband
SSB needs no --mode usb. Nothing else does either, but SSB is the mode where
it would matter: FM and AM detectors do not care where in their passband a
signal sits, while an SSB demodulator is a filter that opens at the suppressed
carrier. Tune to the middle of the voice — which is where a detector naturally
lands, a couple of kilohertz up — and its lower half is filtered off while the
rest comes out shifted down by the error. That is the mistuned sound, and it
makes the recording useless rather than merely imperfect.
So the carrier is measured rather than assumed. Speech puts most of its power in the first few hundred hertz above the carrier, so an SSB signal's occupied band is lopsided: the loud end is the carrier end. That locates the carrier to within about a hundred hertz and names the sideband at the same time — energy bunched at the low edge is upper sideband, at the high edge lower.
The frequency in the filename is therefore the carrier, the one you would dial into a radio, not the middle of the voice.
Where the signal has no lean to read — a data mode inside an SSB segment, or a steady tone — the band plan decides, and it is right where the folklore is wrong: 60 m and the HF utility bands are upper sideband well below the 10 MHz that "LSB below, USB above" splits on.
Output
Everything lands in one directory, named
frequency--yyyy-mm-dd_hour_minute_second-modulation.wav:
0014.058000MHz--2026-08-21_20_35_41-cw.wav
0098.299255MHz--2026-08-21_20_24_01-wfm.wav demodulated audio
0098.299255MHz--2026-08-21_20_24_01-wfm.json identification, features, timing
0098.299255MHz--2026-08-21_20_24_01-wfm.cf32 raw IQ (with --iq)
0098.299255MHz--2026-08-21_20_24_01-wfm.sigmf-meta SigMF sidecar (with --iq)
0098.299255MHz--2026-08-21_20_24_01-wfm_transcription.txt (with --transcribe)
0098.361991MHz--2026-08-21_20_24_18-wfm.wav
0146.520000MHz--2026-08-21_20_31_02-nfm.wav
1090.000000MHz--2026-08-21_20_38_12-raw.wav
scan_log.jsonl one line per hit
scan_log.csv the same, as a spreadsheet
Frequency leads and is padded to four digits, so a plain directory listing sorts by frequency across the whole tuning range — unpadded, 1090 MHz would sort before 146 MHz. Each channel's captures group together with the timestamp ordering them. Every artefact of one capture shares a stem, and the modulation suffix is what the signal was identified as, so the file is renamed once the capture has been analysed.
Where files go
The directory is asked for the first time bandsaunter is run and remembered afterwards:
Recordings, transcripts and the scan log are all written to one directory.
Where would you like them?
recordings directory (~/bandsaunter):
It is an ordinary setting, so it can be changed at any time:
bandsaunter config output_dir=~/somewhere-else
bandsaunter scan -b 2m -o /tmp/just-this-once
The question is only asked when there is someone to answer it: a scan run from
a script or with output redirected uses the default rather than blocking, and
--no-config skips it entirely.
One file per frequency
With --combine, each frequency gets a single file that every later reception
is appended to, so a whole watch on a channel plays back as one recording:
bandsaunter scan -b 2m --combine --record 0 --hang 6
recordings/
146.520000MHz.wav every transmission heard on 146.520, in order
147.100000MHz.wav
146.520692MHz--2026-08-21_13_21_20-nfm.json what each capture was
scan_log.csv
Each transmission is preceded by its date and time read aloud, so the file
says when everything was heard without needing the log open. Receptions within
--combine-tolerance (6.25 kHz by default) of each other count as the same
channel, which covers the few hundred hertz a detection wanders by.
The file is rewritten to stay valid after every append, so it can be opened and played while the scan is still running, and a scan stopped part-way still leaves a working recording. A later run continues the same file rather than starting a new one.
By default the per-transmission WAVs are removed once they have been added, so
each recording exists in one place; --keep-individual keeps both. The .json
describing each capture is written either way.
--no-announce leaves the timestamps out, and --announce-frequency reads the
frequency out as well.
Where the speech comes from
The announcements use an installed text-to-speech program if there is one
(espeak-ng, espeak, pico2wave, flite, say) and fall back to a
built-in formant synthesiser otherwise, so the feature works with nothing else
installed. --announce-engine builtin forces the built-in one; the scan plan
reports which is in use.
The two are given different wording. An installed engine gets ordinary text,
where punctuation is what produces the phrasing — and the obvious spellings
are traps: espeak-ng reads 14:38:05 as "fourteen thirty, eight zero five",
and an ISO date as "two thousand and twenty six dash zero eight dash twenty
one". It is given August 21, twenty twenty six, at 14 38 and 05 seconds
instead. The built-in synthesiser gets the word list it has pronunciations
for. Both are level-matched, so switching between them does not change how
loud the announcements sit against the recordings.
It only has to say numbers, month names and a handful of words, which makes direct synthesis practical: a glottal source through a cascade of three formant resonators, with the formant tracks interpolated between phonemes. The test suite checks by LPC analysis that all ten vowels come out within 130 Hz of their intended first formant and 250 Hz of their second — summing the resonators in parallel rather than cascading them loses the first formant entirely and makes every vowel sound the same.
Transcribing speech to text
With --transcribe, anything the content check identified as voice is
passed to a speech recogniser and the words are written beside the recording:
bandsaunter scan -b 2m --transcribe
146.520000MHz--2026-08-21_12_18_38-nfm.wav
146.520000MHz--2026-08-21_12_18_38-nfm_transcription.txt
146.520000MHz--2026-08-21_12_18_38-nfm.json
Only voice is transcribed — running a recogniser over Morse or a data burst costs seconds and produces nothing. CW is decoded separately and appears in the metadata as text already.
One transcript per transmission, and none is ever overwritten. The
timestamp is part of the name, so two overs on the same frequency cannot land
on the same file — a second transmission on 146.52 MHz writes
...12_19_44-nfm_transcription.txt beside the first, not over it.
With --combine there is one recording per frequency, so there is one
transcript per frequency too, and it works the other way: each over is
appended with the time it was heard, and an unattended receiver keeps
adding to it night after night.
[2026-08-21 12:18:38] Net control, this is W1AW, standing by.
[2026-08-21 12:19:44] Roger, copy that, back to you.
Both behaviours have tests that run a real scan and check the files, including one that runs a second scan into the same directory and asserts the earlier text is still at the top.
A capture with nothing recognisable in it produces no file. Music, a
carrier with an open mic, a fragment too short to make out: nothing is
written, rather than a directory of placeholders. The transcript is also
copied into the capture's .json, which names it only once it exists — so the
metadata never points at a file that was never created. The scan reports the
tally at the end:
2 transcript(s) written, 1 with no recognisable speech
Recognition takes seconds per capture, far longer than a capture itself, so it runs on its own thread and the scan never waits for it; anything still queued is finished when the scan stops. When recordings are being combined by frequency there is one transcript per frequency too, each line stamped with the time:
[2026-08-21 12:18:38] this is what the first transmission said
[2026-08-21 12:24:02] and this is the second
Getting a recogniser
Unlike the spoken announcements, this needs an installed engine — recognition depends on a trained model, so there is no built-in fallback.
bandsaunter transcribe --engines # what is installed
sudo apt install bandsaunter-transcribe # from your own repository
pip install faster-whisper # or straight from PyPI
| Engine | Notes |
|---|---|
faster-whisper |
best on radio audio; ~120 MB of dependencies, model downloads on first use |
whisper |
the original; heavier |
whisper-cli |
whisper.cpp, no Python dependencies |
vosk |
~10 MB plus a 40 MB model, fully offline, but weaker on noisy audio |
pocketsphinx |
tiny; poor on radio audio |
The difference is easy to measure. Both engines on the same 26-second off-air recording:
faster-whisper 3.4s "August 21, 2026, at 13.42 and 28 seconds,
96.108 megahertz, 13.42 and 47 seconds, ..."
vosk 11.2s "august twenty one twenty twenty six at thirteen
forty two i'm twenty eight seconds ... forty
family factories ..."
Whisper is both more accurate and three times faster, and it punctuates. Vosk's advantage is size and that it needs nothing after its model is downloaded once.
--transcribe-model selects the size (tiny.en, base.en, small.en,
medium.en) and --transcribe-language fixes the language — worth setting,
since on a short noisy clip automatic detection often guesses wrong and
returns nonsense in another language.
Existing recordings can be transcribed after the fact:
bandsaunter transcribe recordings/ # every WAV in a directory
bandsaunter transcribe one.wav --stdout
Re-examine anything later:
bandsaunter analyze recordings/2026-08-19/.../iq.cf32 # identify
bandsaunter analyze recordings/2026-08-19/.../audio.wav # decode CW
Fitting the window
The display is redrawn in place several times a second, which only works while the frame is exactly where it was last drawn. Two things follow.
On a short terminal the optional parts are given up in order — the spectrum row, then the list of recorded signals, then the key hints, and last of all the receiver panel, which says nothing that changes. Never given up: the sweep line and, while one is running, the recording.
Resizing the window redraws everything from a blank screen. The frame that was
on it was drawn for a window that no longer exists — and the terminal has
already reflowed everything above it — so anything printed before the scan
started scrolls away at that point. --plain prints one line per hit and needs
none of this, which is what to use over a pipe or into a log.
Live controls
The display sizes itself to the terminal, giving up the spectrum row, then the hit list, then the key hints as space runs short. A frame taller than the terminal cannot be redrawn in place, so an oversized one would leave a copy of itself behind on every refresh.
For the same reason the driver's own messages are suppressed while a scan
runs: librtlsdr writes them straight to file descriptor 2 from C — including
Allocating 15 zero-copy buffers on every capture — and they draw over the
display and break its cursor tracking. bandsaunter devices still shows them,
since that is the command to run when something is wrong, and
BANDSAUNTER_DRIVER_MESSAGES=1 restores them everywhere.
| Key | Action |
|---|---|
q |
stop |
p |
pause / resume |
s |
skip this signal, resume sweeping |
l |
lock out this frequency — for this run and every later one |
+ / - |
adjust the squelch threshold |
There is no live display over ssh, in a log file, or piped to another program:
--plain prints one line per recording instead, and is chosen automatically
whenever output is not a terminal. It is a saved setting like any other, so a
headless machine can be told once and never asked again.
Lock-outs
A pager transmitter down the road, or a birdie the receiver makes itself, is
worth shutting out permanently. Pressing l writes the frequency back to the
settings file the run started from, so it is still locked out tomorrow. Only
that one setting is written back — options passed on the command line for a
single run stay one-off — and --no-save-lockouts keeps a lock-out to the
current run.
Lock-outs can also be given directly, several at a time, as single frequencies or as spans:
bandsaunter scan -r 144M-148M --lockout "162.55M, 450M-455M"
bandsaunter config lockout="88M-108M, 146.52M"
A single frequency is widened by --lockout-width (12.5 kHz by default); a
span is taken exactly as written, since a noisy stretch of spectrum has a
definite width rather than a point with a guess around it. Ranges accept the
same forms as everywhere else — 450M-455M, 450-455M, 88M to 108M.
saunterbrowse writes to the same list: pressing m over a recording locks
out the frequency it was heard on, which is usually when you find out that a
frequency is not worth listening to.
--lockout-control adds each trunking control channel to the list as it is
found. Two runs never write anything back: --no-config has no settings file
to write to, since the point of the flag is to leave the saved settings alone;
and --simulate is looking at an invented band, whose frequencies would sit in
a real settings file for ever, skipping whatever genuine signal happened to
land near one. Both still lock out for the run in hand, and say so.
Browsing what you recorded
A long scan leaves hundreds of files. saunterbrowse is a second program in
the same package for reading them:
saunterbrowse # opens the scanner's output directory
saunterbrowse /mnt/recordings # or any other
Arrow keys move through the recordings; the transcript of whichever one is highlighted fills the top of the screen, because that is the part you actually want to read. Under it are the identification, the confidence, the CTCSS tone or symbol rate where there is one, and the bands the frequency falls in.
╭──────────────────────────────────────────────────────────── 4 of 126 ─╮
│ 146.88 MHz NFM Sat 22 Aug 13:01:44 42.8s SNR 17.6 dB voice │
╰───────────────────────────────────────────────────────────────────────╯
╭─ transcript ──────────────────────────────────────────────────────────╮
│ │
│ Alright, moving on. It is the 4th Saturday of the month. There is │
│ an HF net at 1.30pm on 7.242 megahertz. Are there any │
│ announcements for the net? │
│ │
╰───────────────────────────────────────────────────────────────────────╯
╭───────────────────────────────────────────────────────────────────────╮
│ Narrowband FM voice (CTCSS 110.9 Hz) 88% CTCSS 110.9 Hz │
│ 2 m Amateur · 2 m FM Simplex · 2 m Repeater Outputs │
╰───────────────────────────────────────────────────────────────────────╯
╭─ recordings in /mnt/global/bandsaunter ───────────────────────────────╮
│ 856.561096 MHz 13:10:25 fsk 4m00s Motorola SMARTNET / Smart… │
│ 158.294200 MHz 13:05:15 nfm 20.1s Steven, I'm over to Colvi… │
│ › 146.88 MHz 13:01:44 nfm 42.8s Alright, moving on. It is… │
│ 146.88 MHz 13:00:44 nfm 35.2s Check out communication o… │
╰───────────────────────────────────────────────────────────────────────╯
↑↓ move ⏎ play space stop / search t read S I N file d delete m mask q quit
| Key | What it does |
|---|---|
↑ ↓ k j |
move through the recordings |
PgUp PgDn Home End |
a screenful, or straight to either end |
Enter |
play the highlighted recording |
space |
stop playing |
t |
read the whole transcript full screen, scrolling |
/ |
filter — by frequency, filename, identification, or anything that was said |
| — | callsigns are found and looked up automatically; no key needed |
s |
sort by time, frequency or length |
r |
re-read the directory, picking up what a running scan has written |
o |
print the file's path and quit |
| — | a picture is marked in the list, with the path of its PNG |
S I N |
file it into saved/, investigate/ or noise/ |
u |
put the last one filed back |
d |
delete it and its sidecars, for good — asks first |
m |
lock this frequency out, so no later scan stops on it |
q |
quit |
Dealing with what you find
A night's scan leaves hundreds of files, most worth nothing and a few of them the reason you left it running. Sorting that out is one key per recording, going down the list:
S saved/ keep this one
I investigate/ come back to this one
N noise/ not a signal worth keeping
d delete it outright — asks first
m never record this frequency again
Each of S I N moves the whole capture — the .wav, the JSON sidecar, the
raw IQ if it was kept, the transcript and the decoded data — because a
recording in one directory and its transcript in another is a pair nothing
will ever put back together. If a move cannot be finished, whatever already
moved is put back.
The subdirectories are ordinary directories inside the recordings directory,
so a scan writing there never looks in them, and saunterbrowse ~/bandsaunter/saved reads one back. u puts the last one filed back — one
step, so that a mistyped key costs nothing. d asks first, because nothing
puts that back.
m is the other half of the same job. A birdie or a pager transmitter that
fills the directory night after night is a scanning problem, not a recording
one, so this writes the frequency into the lock-out list in your settings —
the same list the scanner's own l key writes to. It
takes effect on the next scan; one already running read its settings when it
started. Locking a frequency out does not delete what has already been
recorded on it, so pressing m and then d is the usual thing to do.
Detected callsigns
Under the transcript, every callsign heard in it is listed with the name and location on its licence:
╭─ transcript ──────────────────────────────────────────────────────────╮
│ │
│ Alright, moving on. There is an HF net at 1.30pm on 7.242 │
│ megahertz. Are there any announcements? Alright, KU 0W. │
│ │
│ DETECTED CALLSIGNS: │
│ KU0W Rod R Gowdy — Tucson, AZ · Extra · DM42lj · 85742 │
│ │
╰───────────────────────────────────────────────────────────────────────╯
Note what the recogniser actually wrote: "KU 0W", with a space. Speech recognisers are poor at callsigns — they are not words, they are said one character at a time — so a callsign arrives broken wherever the speaker paused, and an operator who spells it out gets "kilo uniform zero whiskey" written down verbatim.
A recogniser has never heard of the phonetic alphabet, so it writes what the words sounded like and does whatever it likes with the spacing. All of these are one callsign, and all of them read back correctly:
| What the recogniser wrote | Why |
|---|---|
KU 0W, K7 RA |
broken where the speaker paused |
kilo uniform zero whiskey |
spelled out, one word per character |
Whiskey-One-Alpha-Whiskey |
spelled out and hyphenated |
WhiskeyOneAlphaWhiskey, Whiskey1AlphaWhiskey |
run together |
wiskey one alfa whisky |
spelled the way it sounded |
whiskey one alpha, uh, whiskey |
said with a hesitation in the middle |
W1AW-4, W1AW/B, DL/W1AW |
a suffix, which is not part of the callsign |
A word is only taken apart when it is phonetic all the way through, which is what keeps this away from English: "kilometre" begins with a phonetic word and "victorious" contains one, and neither can be consumed to the end.
Callsigns arrive from three directions and all three end up in the same list and on the same map: spoken and transcribed, sent in Morse, or carried in the header of an APRS packet. Neither of the last two involves a speech recogniser, so a machine with none installed still builds a map.
Where the gaps came from decides whether they can be closed. A transcript's
spacing is the recogniser's guess, so KU 0W may be joined; a word gap in
Morse is seven dot units the sender chose, so KU0W K is a station signing
off, not a callsign one letter longer.
The other half of the problem is not inventing them. A browser that reports
callsigns nobody said is worse than one that reports none, so a run of words
is only accepted when none of its parts is an ordinary English word — "or 3.
Can you open 4" fits the shape once the punctuation is gone, and is not a
callsign. A single token said in one breath is trusted, because W1BOY is a
perfectly good callsign. Across 126 real transcripts from an overnight scan,
that turns three candidates into the one that was actually said.
saunterbrowse --callsigns # everyone who identified themselves, and where
saunterbrowse --no-lookup # find them, but contact nothing
Lookups use the FCC's own licence data via callook.info,
which needs no account or key. The callsign is the only thing sent; results are
cached in ~/.cache/bandsaunter/callsigns.json, so the same net is looked up
once however many nights you record it, and a lookup never delays the display —
the entry reads looking up… and fills itself in.
--no-lookup contacts nothing. Callsigns are still found and still described
from their own structure: the prefix is allocated by the ITU and the digit is
the US licensing district, so VE3ABC is Canada and N7XYZ is US district 7
with no database at all. Outside the US that structural description is all
there is — callook.info holds US licences only.
US amateur licence records are public by law and include the licensee's address; that is what is shown.
The map
A licence says where its holder is, so a list of callsigns is also a map. The
scanner writes one as it runs — callsigns.kml in the output directory —
which opens in Google Earth, QGIS, Marble or OsmAnd:
saunterbrowse --kml # build one from recordings already on disk
saunterbrowse --kml ~/heard.kml # or somewhere else
bandsaunter scan --kml "" # turn it off
Each station is one placemark, not one per transmission. Hearing the same repeater twenty times in an evening is one operator, and twenty pins stacked on the same rooftop would say less than one. The pin carries the callsign, the licensee, the town, the grid square, and every frequency and time you heard them, so clicking it answers "when did I hear this, and where on the dial".
The file is added to rather than replaced — by later scans, and by
saunterbrowse --kml over the same directory — so over a few weeks it stops
being a snapshot of one evening and becomes a picture of what your aerial can
actually reach.
Where a licence carries no coordinates the grid square is used instead, and the placemark says so: a grid square is kilometres across where a licensed address is a street. A callsign with no licence on file at all is still recorded, in a folder named no location on file which starts switched off — that a station was heard is worth keeping even when nothing says where it was.
It is XML, written atomically, so a scan interrupted halfway through leaves a file that still opens. A file already there that is not readable as KML is never overwritten.
Searching what was said
Searching the transcripts is the point of it: "did anyone mention the repeater" is a question about content, not about filenames.
saunterbrowse --list | grep -i "mile marker" # or ask it from a script
saunterbrowse --sort frequency # group by channel, not by time
Playback is handed to whichever player is installed — pw-play, paplay,
aplay, sox or ffplay, in that order, or whatever --player names. The
recordings are ordinary WAVs and every desktop already has something that
plays them; a browser that cannot start would be worse than one that cannot
play. Over ssh, where there is usually no sound server at the far end, the
transcripts still work and only Enter has nothing to do.
Where a recording has no transcript the panel says which of the reasons applies — Morse (decoded, and shown), data, a bare carrier, or speech that was never offered to a recogniser — because those want different things done about them.
It only ever reads. Nothing in the recordings directory is renamed, moved or deleted.
Built-in help
Press h in the menus for topics covering setup, how the sweep works, why
nothing (or too much) is being recorded, capturing conversations, where files
go, trunked systems, HF reception and the keys available during a scan. Typing a setting name
there explains that setting instead.
From the command line, bandsaunter config --describe <setting> does the same,
and bandsaunter scan --help lists every flag grouped the same way as the menus.
The manual page
man bandsaunter documents every command, option and setting, each with a
plain-language note on what it is and why you would turn it up, down, on or
off — written for someone who does not already speak radio. man saunterbrowse does the same for the browser.
It is generated from the same settings table the menus and the flags come from, so it cannot describe a setting the program does not have, or miss one it does:
./packaging/make-man.py # regenerate packaging/bandsaunter.1
./packaging/make-browse-man.py # and packaging/saunterbrowse.1
man -l packaging/bandsaunter.1 # read either without installing
The .deb installs it; installing from source does not, so read it from the
source tree with man -l.
HF
Frequencies below 24 MHz need direct sampling, which most RTL-SDR dongles support on the Q branch. It is selected automatically:
bandsaunter scan -b 40m-cw --record 60 # 40 m CW, decoded to text
bandsaunter scan -b am-broadcast
You will need an HF antenna; the tuner is bypassed in this mode, so there is no front-end filtering or gain.
How the sweep works
- The band is covered in steps of
sample_rate x usable_fraction / 2. The local oscillator is parked below the span each step covers, so the RTL2832's DC spike never lands inside the frequencies being searched. - The noise floor is measured per FFT bin as a sliding low percentile, which follows the receiver's passband shape and steps over signals. There is no warm-up period, and a station that transmits constantly does not learn itself into the floor.
- The sweep uses peak-hold rather than averaging across each dwell, so bursty traffic — CW, packet, a short over — is not averaged into the noise.
- On a hit, the receiver retunes with a quarter-rate LO offset (moving the DC spike off the signal), probes once at ~60 Hz resolution to measure the real occupied bandwidth, and picks the demodulator from that plus the band plan.
Without hardware
--simulate swaps in a synthetic receiver carrying one of each interesting
signal type, which is also what the test suite runs against:
bandsaunter scan -r 144M-148M --simulate
bandsaunter scan -r 856.4M-856.7M --simulate # the control channel, skipped
The demo band holds 2 m FM voice with a CTCSS tone, a repeater, a CW beacon, NOAA weather radio, airband AM, an FM broadcast station, P25-style digital voice, a POCSAG pager, a bare carrier, a 433 MHz ISM remote, and a SMARTNET control channel that never stops transmitting — because that last one is only interesting if it behaves the way the real thing does.
Testing
python -m pytest
Covers DSP invariants, frequency parsing, the classifier against synthetic
signals at several SNRs and random seeds, Morse decoding from 8 to 40 WPM, the
voice detector against synthetic speech and against noise, tones and hum, and
full scan runs through the simulator checking that --record and --hang are
obeyed, that static and bare carriers are never written to disk, and that
audio, IQ and metadata are correct.
The simulator's voice transmitters carry synthesised speech -- glottal pulses through moving formants, compressed the way a real transmitter compresses, then gated into syllables and phrases -- because sine tones would not exercise the speech detector at all. SSB transmitters are filtered to their audio passband first, since that filter is what makes a signal single-sideband, and without it the simulated signal was several times wider than anything on the air. Its FSK transmitters are shaped the way GFSK and C4FM shape a symbol stream, because square-edged keying is a signal no licensed radio would radiate, and its symbols are genuinely pseudo-random: an earlier version multiplied the symbol index by an odd constant and took it modulo the level count, which returns the low bits of a counter -- 0, 1, 0, 1 -- so every FSK test was measuring a tone rather than data.
Its transmitters seed themselves deterministically, so a test that fails can be made to fail again -- the one thing needed to fix it.
Settings have their own tests: every one is set to something other than its default, saved, loaded back and compared, so nothing can quietly fail to persist. Every setting must also be reachable from both the command line and the menus, be read somewhere in the program, display a value that can be typed straight back in, and appear in the manual page.
Legal note
Receiving is not the same as being allowed to use or divulge what you hear. In the US, the ECPA prohibits intercepting cellular and other private communications, and rebroadcasting or acting on what you receive is separately restricted. Check your local rules.