Draw the waterfall for everything that never spoke
Every capture that is not voice, or whose voice yields five characters or fewer of transcript, now gets a PNG of the waterfall it would have painted on screen: spectrogram from the IQ where it was kept, from the demodulated audio otherwise, captioned and labelled either way. The browser shows it in the picture panel, but only when there is no transcript, Morse or decoded data to show instead. bandsaunter waterfall [PATH...] [--all] [--redraw] [--min-chars N] draws them after the fact for recordings already on disk. Co-Authored-By: Claude Opus 5 <noreply@anthropic.com> Claude-Session: https://claude.ai/code/session_016PsWPTweCT6pwxKngvVxcg
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@ -120,6 +120,12 @@ Transcribe existing recordings, or list which speech recognisers are
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installed with
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.BR \-\-engines .
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.TP
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.B waterfall
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Draw a waterfall for every recording in a directory that produced no
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readable words. See
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.B WATERFALLS
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below.
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.TP
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.B devices
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List attached receivers.
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.TP
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@ -412,6 +418,37 @@ Nothing is joined across a slash: a suffix says where the station is, not
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what it is called, so
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.I W1AW/B
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is W1AW.
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.SH WATERFALLS
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Most of what a scanner records cannot be turned into words: a data burst, a
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keyed carrier, a pager, a control channel, a stretch of something
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unidentified. A waterfall says something about every signal there is,
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because it shows the shape of the thing rather than its meaning \[em] how
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wide it is, how long it lasted, whether it was keyed, swept, hopping or
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steady, and whether it was one signal or three side by side.
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.PP
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So every capture that produced no readable words is drawn beside the audio
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as a PNG: no voice, or voice the recogniser came back from with fewer than
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.B \-\-waterfall\-min\-chars
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characters, which is what a recogniser handed something that is not speech
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reliably does. Time runs down the picture and frequency across it, with the
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frequency scale on top, the seconds down the left and a caption underneath
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saying what the capture was.
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.PP
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The caption also says what the picture is *of*, and that matters. Where the
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raw IQ was kept this draws the radio spectrum around the tuned frequency,
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which is the waterfall an operator would have been watching. Where only the
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audio was kept \[em] the usual case, since IQ is off by default \[em] it
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draws the demodulated audio instead: after an FM detector the frequency axis
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is no longer radio frequency, and a picture that did not say so would be a
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lie told in a convincing font.
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.PP
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.B bandsaunter waterfall
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does the same for a directory already recorded, drawing only what cannot be
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read unless
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.B \-\-all
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is given, and skipping what it has already drawn unless
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.B \-\-redraw
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is.
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.SH CW AND IDENTIFICATION
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Every capture is offered to a CW decoder once it has finished, whatever the
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classifier made of it. Most of the Morse on the air is not a conversation:
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